ann symes

Jun 04

rusaman: 一日一花　川瀬敏郎│とんぼの本

rusaman:

一日一花　川瀬敏郎│とんぼの本

(via lariwashburn)

mondonoir: CHEN Ting-shih, Day and Night #60, Woodblock print, 1981

mondonoir:

CHEN Ting-shih, Day and Night #60, Woodblock print, 1981

(via tracemarks)

leslieavonmiller: Mathew Harris cloth

leslieavonmiller:

Mathew Harris cloth

(via donnawatsonart)

Jun 03

lariwashburn: (via Art as Organizer / Sam Messenger. “Six veils”. One of “a set of ink-on-paper pieces that accomplish rich monochromatic textures through razor-thin intersecting lines.” Cool Hunting, Culture, CH Editors, 7 December 2011)

lariwashburn:

(via Art as Organizer / Sam Messenger. “Six veils”. One of “a set of ink-on-paper pieces that accomplish rich monochromatic textures through razor-thin intersecting lines.” Cool Hunting, Culture, CH Editors, 7 December 2011)

(via wowgreat)

[video]

rawveganani: donnawatsonart: (via elemenop, apostrophe9)

rawveganani:

donnawatsonart:

(via elemenop, apostrophe9)

artchipel: Akos Major - Woods [found at theantidote & loveyourchaos]

artchipel:

Akos Major - Woods

[found at theantidote & loveyourchaos]

(via tracemarks)

dempow: Fog’s foggy veil By Photoma’s World  Yvette Depaepe

dempow:

Fog’s foggy veil

By Photoma’s World  Yvette Depaepe

(via yama-bato)

(Source: fieldandsea, via tracemarks)

Jun 02

侘寂

caiiit:

Wabi-sabi (侘寂) represents a comprehensive Japanese world view or aesthetic centered on the acceptance of transience. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete.”

Wabi-sabi nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect.

(via rawveganani)